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1989-12-31
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344 lines
>>>>>>-------------------------------------------------------------<<<<<<
--->>> T H E L O N D O N A T A R I C O M P U T E R S H O W <<<---
>>>>>>-------------------------------------------------------------<<<<<<
BY JAMES L. MATHEWS
As most of you ST owners out there probably know, July 30th and July 31st
saw two days of ATARI shows, the first being in Bristol and the second being
in our lovely capital, London. Well, if you didn't go, you missed out on a
lot, as you will see by this article...
I got a tip-off about this show ages before it ever happened and as soon as
I heard about it, I knew that I had to be there so when the details were
finalised and I was sure it was happening, I made sure that Sunday 31st July
was clear so that I could visit the lovely, clean, tropical, peaceful
location of Hammersmith in London where, in the Novotel, there was quite a
good show happening for 7 whole glorious hours which was dedicated fully to
ATARI. No bloody PC's, no flippin' Amiga's, just pure ATARI
magnificence!
The show was, of course, organised by David Encil, Neil O'nions and Ray
Corss and the whole thing was sponsored by Europress, the people who
produce ST REVIEW and ST USER.
Appearing at the London show (this article is all about the London show
unless otherwise stated) were a number of well-known ST users including
myself (James), C.I.H. of Maggie, Richard Felice from Maggie, Compo
Software, Merlin P.D., Gary Simmons, I.D.S., ST Handbook, Vic Lennard of
ST Review (along with his wife and son), Goodmans International, Titan
Designs, Caspian Software, Vic Wright, Mike Herman of ATARI STAR, Riverdene
P.D.L....Need I go on? Everyone was there (well, everyone worth knowing
anyway!) and even Queen Elizabeth II made an appearance briefly for a quick
look around in hope for a small bargain (she has to save her pennies since
she now has to pay tax).
The show started at 10am and from the very start, people were pouring in at
the same rate as someone would vomit after a large vindaloo and 19 pints
(yes, there were that many people going in!). It really started to reach
its peak a few hours on between 11 and 12 and as you waited outside the
door to get your ticket (selling at a fiver each, 3 quid after 2pm) you
could hear just how many people were inside as you saw the doors bursting
open and computer noises galore pouring out through the seams. I walked in
alone, not knowing what to expect, armed only with my sticky label stuck on
my black jacket pointing out that my name was 'JAMES L. MATHEWS OF POWER
DISK MAGAZINE'. I walked in and went straight to the back (there was no
reason for this, it's just my legs suddenly went hyper) and started to look
around. Within 20 minutes, I had been greeted by 4 or 5 POWER readers and
another few people who wanted to know more about POWER disk magazine.
Realising how dangerous this sticker actually was, I decided to remove the
offending sticky label and bin it. I then walked around rather aimlessly
for a further half an hour whilst not really taking much in at all, simply
establishing my ground and drawing up a map in my head of what was where and
where was what and so on. I then felt strangely hungry as I walked past the
Compo stall. Why was this? It was only 11:20 or so. Searching around for
a reason, I noticed that behind the Compo stall, they were all quite happily
surrounded with biscuits and sandwiches. I had to get out of there, my head
started spinning. I darted out of the room with the intentions of leaving
the hotel to kill a wild boar for munch and then returning to the almighty
ATARI show. So, I left the premises of the hotel and walked along the
pavement which would take me to some sort of civilisation. As I arrogantly
bounced down the street, I walked past a person who, although I had never
seen before, seemed strangely recognisable. As I cruised along looking at
this bloke, he too returned an examinating glare but neither of us said
anything. Something told me that the person who had just passed me was Gary
Simmons but I didn't know what. Anyway, I continued on looking for some
kind of chip shop or something but it was all in vain. The best I got was a
bloody corner shop that wasn't even on a corner, where I proudly purchased a
Snickers bar accompanied by a pack of Polos and a few other pieces of random
munch...This had to last me through the day until I got home where I would
then line my stomach with 'real' food.
Well, I then returned towards the hotel, entered, and strolled
past the reception area (where earlier I had struggled immensely to beat out
of a French receptionist where the ATARI show was) and back into the
bustling of the ATARI show.
After more cruising around the show, basically just taking in what was on
offer and what was here, I wandered over to a little space between two
stalls (the ST HANDBOOK one and the GOODMANS one) where three friendly
looking guys were showing their bits off...Yes, that's right, they were
playing around with their bits in front of everyone and I'll tell you
something; their bits were quite impressive! Yes, I am of course talking
about the STORM TRACKER and modules they were showing off. Playing with
their tracker and showing all the bits and bobs off, they merrily chatted to
me about why it was written, how it was written, what it was written for,
how to use it and then, after telling me the meaning of life, they played a
few "Here's some we made earlier" modules.
The STORM TRACKER is a spanking brand new (finished a day before the show!)
tracker that has only just been completed which is based on PRO-TRACKER and
is sort of like a PRO-TRACKER 3. It plays all the usual MOD. files from the
likes of NOISETRACKER and so on and uses all the strong formats of samples
such as AVR. and SPL. but unlike the likes of ESION, it doesn't use a
textual form of display but a graphical one. Achieving things such as
slides, pattern movements and even the placement of notes is all done via
graphics and the mouse which makes for much easier use and is much more
user-friendly. The tracker sells for £24.99 under the MAGIC SOFTWARE label
through Goodmans and comes on two disks with a few example modules and
samples. At the moment it is a standard 4-channel job but an 8-channel
version may well be around (or at least under way) by Christmas. The
programmer explained to me that he wanted a mate of his (who was also
there and was a bug-tester) to do a module for a game he was working on but
his mate declined on the grounds that he didn't have a decent tracker and
he would only write a module for him if our friend the programmer (who
isn't very musically gifted) wrote our friend the bug tester a tracker.
Well, the deal was struck and STORM TRACKER was born.
We kept talking for quite a while about the tracker but after a good half-an
hour chat, I felt a tap on my shoulder (maybe I should get a plumber in! -
Sorry, bad joke!) so I turned around, only to be greeted by the person who I
had recently walked past outside on my quest for a portion of chips,
"JAMES?!" boomed the man. Straight away, we knew who we both were, he was
Gary and I was James and once we had shared this secret with eachother we
were soon rejoicing the fact that we had met up and were looking around
for something to do. All of a sudden, for no reason whatsoever (nothing to
do with me of course!), Gary grabbed the bloke who I had just been speaking
to who had written STORM TRACKER and boomed (in a similar way that he did
with me), "VIC WRIGHT?!". The bloke looked puzzled, gave me a look as if to
say, "Oi mate, did this one come from where you came from?!" and replied
with a "no". We then departed from that area in haste and looked for
another target.
Walking around the show, I soon met up with a few other contacts and people
and merrily, we toured around the show another fifty times or so until four
of us (C.I.H., Richard, Gary and myself) left the show for a drink. Sitting
down, happily sipping our drinks talking about everything and anything, Gary
jumped up and walked over to someone by the bad. "Oh no!" I thought,
expecting Gary to accuse this person of being Vic Wright but Gary got
talking with him and brought him over to the table...It was Vic Lennard,
the editor of ST REVIEW. Well we all got talking and a few bits of
interesting information came out of the conversation such as how FUTURE
PUBLISHING (the people who make ST FORMAT) is being sold off for quite a
hefty sum of money and how there were plans for ST REVIEW to go into higher
production numbers to try and gain a larger readership. Well, after quite a
nice little chat, we let the poor bloke return to his family, we finished
our drinks and then entered back into the ATARI kingdom.
The show was in a rather small room taking into account how many people were
there. The place really was packed to the brim but everyone seemed to be
enjoying themselves and just about every cubic centimetre was being put to
good use.
At the show, all the latest products were on show. CASPIAN SOFTWARE were
showing their latest and very impressive game, STORM TRACKER was on show
(as I said earlier) and amongst lots of other new products was a new
football game called TEAM. It was just a demo version but it looks
impressive. Set to be sold for £24.95 through I.D.S. the game boasts a hell
of a lot of functions and also has just about everything taken into account
such as a 'real' 3D pitch and even things such as players bumping into
eachother rather than walking straight through eachother! POWER should be
getting a special preview version of the game pretty soon so we should have
a preview soon or possibly even in this issue so look out for it. The game
requires an STE and at least one megabyte but when you see the game, you can
see why what with its speed and smoothness.
Also on show was a new art package labelled 'APEX' which is from Titan
Designs if I remember correctly. The package is Falcon only but makes full
use of the Falcon enhancements unlike most other Falcon programs. It is
incredibly fast and efficient and has all the usual functions plus loads,
loads more. It makes full use of the D.S.P. and it shows. Everyone
(including myself) believes that the program looks and handles incredibly
like CHROMA 24 although apparently, it isn't really anything like CHROMA 24
although it is BASED on the famous package. What they have done, is
spotted the problems with CHROMA 24, sorted them out, speeded it up a bit
and added some extra functions and come up with APEX. The whole thing has
been totally re-coded but in the words of C.I.H., "It's 98% Chroma 24!"
although no matter what you thought it was like, there was no denying that
It was incredibly impressive stuff and an expression of how good it was, was
made by an American who wondered over and simply exclaimed,
NN NN NNNNNNNN NN NN NN
NN NN NN NN NN NN NN
NN NN NN NN NN NN NN NN NN
NN NNNN NN NN NN NN NNNN NN
NNN NNN NNNNNNNN NNN NNN NN
Then again, he seemed more fascinated by the way that the 3D menu boxes flew
up rather than what the actual package did and actually got the poor bloke
doing the demonstrations to make the same menu flip up 5 times!
The package will costs around £150 or £299 if you want a free digitiser with
it with the full set-up (apart from the camera of course!). The package has
an excellent morphing function where you can simply take two pictures (a
before and after picture) and the computer will then render the inbetween
pictures in a similar way to tweaking in animation packages such as ANI-ST
(obtainable on disk PWR 98 from POWER P.D.). It is quite fast with its
rendering and took under 20 minutes to render a 16 frame morph between a
coke can and a crushed coke can. The package also has brilliant
capabilities of manipulating pictures and the speed at which it can do so
and the way that it does it is simply amazing and so fast. It really is top
quality coding and if you're into graphics, you've got a Falcon and a spare
couple of hundred quid then you should try and get your hands on this
package as soon as you can!
There was a lot on offer at the show. They had Falcons selling at just
£450 and were even showing off the STACEY's (portable ST's). There was a
large stall with all the bits and bobs such as ATARI ST computer badges, new
cursor keys, mouse bits and so on. There was enough there to build an
entire ST yourself and have enough pieces over to build a spaceship
afterwards. Obviously, all the issues of ST HANDBOOK were on sale along
with the latest issues of ST USER and ST REVIEW plus all the usual P.D.
software, hardware, disk boxes, blank disks and so on that you usually get
at ANY computer show.
A stall which was getting quite a big response was the ST HANDBOOK GAMES
CHALLENGE stall where a few STE's were set up and OBSESSION (a new pinball
game retailing at £24.99 for one meg STE's) was on offer to be played by
anyone that felt like it. The object of the challenge was to get as many
points as possible and whoever did would win an ATARI JAGUAR console so as
you can imagine, there were quite a few people struggling to get a go. I
was then offered a go, so I sat down and began to play...Or should I say, I
began to make a fool out of myself. I just had no skill at all and got an
embarrassing score of just over 660,000. That may sound a good score but
when you take into account that everyone elses scores were way up in the
millions, you can see what I mean! Well, the prizes were awarded later in
the show (there were three prizes I believe for the three best scores) but
sadly, everyone who had won was not present at the show. The person who had
won first prize was at the London show but left literally five minutes
before the prize giving which was quite a shame. The person that won
actually got Vic Wright out of a bit of an embarrassing predicament. You
see, as I said earlier, the show was sponsored by EURORRESS (the producers
of ST REVIEW and ST USER) but the person who was currently winning the
challenge was the editor of ST FORMAT from FUTURE PUBLISHING. Luckily, his
score of just over 10 million points was just beaten!
There were a number of other stalls getting a lot of attention, in fact, all
the stalls were getting a lot of attention, however, there seemed to be a
stall or two missing. We soon realised who it was. We were expecting
WARPZONE P.D.L. and 16/32 to show up and have a stall each at the show but
for some reason, they weren't there. Speaking to Vic Wright slightly later
on in the show, it was explained to us that they weren't there because they
had been banned! Apparently they are not wanted at all due to the way they
deal and work and they have caused too many problems so instead, there was
room for a couple of other P.D.L.'s so there were a couple of stands that
weren't expected there which was nice to see. Nobody wanted WARPZONE or
16/32 there anyway and the people that DID wanted them there only wanted
them so that they could do a bit of damage (not mentioning any names!). For
more information on that though, have a little look elsewhere in this mag as
I'm sure I'll stick a slightly fuller story somewhere such as the NEWS
section or something.
As I think I mentioned earlier, the new commercial company, CASPIAN
SOFTWARE, who have already made a mark in the market with the likes of ROCK
'N' ROLL CLAMS were at the show showing off their new game, ZERO FIVE. This
is an amazingly good game which puts you in control of a spaceship in
a glorious 3D environment. It's been muttered that this game is set to
beat Elite 2 even though it has only been in development for roughly 6 or 7
months. It's going to be a classic shoot 'em up and it will certainly
impress you when you get to see it. The aim is to save your world and
blast everything to death and all the usual stuff which nobody ever bothers
reading about but basically, this game is looking incredibly promising
boasting amazing graphics with equally good sound which comprises of loads
of top quality samples and speech. Also, STE owners will be able to have
their versions boast full texture mapping with full use of the STE's DMA
hardware being put to the best of its potential. The game is set to be one
of the best games on the ATARI brand of computers so far and this game,
providing it continues in the way that it has been progressing so far, is
bound to make CASPIAN SOFTWARE a name to really respect and I look forward
to seeing this group of GENUINE enthusiasts produce a lot more ST(E)\Falcon
products soon.
Something I found rather strange about the show though was that there wasn't
a Jaguar on show until the last hour or so of the show although taking into
account the lack or room and the amount of other things on show, I suppose
it can be understanded but as I said, towards the end of the show, a Jaguar
was set up with Cybermorph to be played but when Vic Wright asked who wanted
to play on it (as it was set up on the GAMES CHALLENGE stall although the
challenge had now finished) nobody wanted to. The large crowd around the
magnificent 64-bit machine was silent. Finally though, Vic Lennard's son
stepped over and sat down in the hot seat and began to fly the Cybermorph
all over the place (mainly into the mountains!).
The show was perfect for all types of ATARI owners. Whether you had a
Falcon, an ST or neither, there was something of interest at the show and
whether you were an expert or knew nothing, the show was still enjoyable.
For the experts and people more involved in the scene you could get fully
involved in the show and try out the machines and the new software or, no
doubt if you are involved in the scene, you probably would have met a few
contacts as well which you could get chatting to. If you were more of a
beginner, there was still just as much to enjoy. There were full
demonstrations of all the software where people would sit you down, tell you
all about the package, what it could do, what it was all about and so on,
you could have a go at the games challenge, you could pick up some bargains
and basically, you could enjoy yourself!
Everything at the show were at special prices from the P.D. at the GOODMANS
stall which had been knocked down to £1.75 to the serious hardware which had
tens of pounds knocked off. An example of some special prices were
displayed by JCA EUROPE LIMITED who offered the following special price list
to th ATARI owners at the show:
PRODUCT RRP. SHOW PRICE
---------------------------------------------
Calamus 1.09n £79.00 £59.00
Calamus SL £249.00 £199.00
Rainbow £29.95 £25.00
100 blank disks £38.00 £34.00
That's just a few examples of the knock down prices. As I think I said
earlier on in this document, there were also Falcons selling for as little
as £450 which is an amazingly cheap price by any standards. If it was a
bargain you wanted then this was the place to be. Even 100 capacity disk
boxes were just £2.95 at the GOODMANS stall.
If you've read all this and weren't at the show, you are probably going
rather green with envy. It wouldn't suprise me because you certainly did
miss a lot. Everyone turned up and there were hundreds of people enjoying
the ATARI scene. With shows like this, it is very hard for the ST ever to
die. There was so much support at the show, especially from Vic Wright of
THE ST HANDBOOK and there was a lot of real, genuine enthusiasm which really
gave a lift to everyone there. With more shows like this the ST scene will
stay fresh and living. It was a great way to meet people, to see what the
latest products are on offer and a great way of picking up a bargain whilst
also supporting the ATARI scene.
If you weren't at the show, you missed a hell of a lot and you really should
have been there. There should be another similar show appearing somewhere
in London again at Christmas which is set to be even bigger than this one.
For those of you who don't live close enough to London to be able to pop in,
all is not lost. It was said that if the shows did well, there would very
likely be more shows elsewhere in the country and judging by how much the
show was being praised by both the crowds and the people behind the stalls,
I'd be very surprised if there weren't lots more of these shows appearing in
loads more locations across Britain so if you see one, make sure you get
there as it is well worth it.
It was by far the best ATARI show I've been to and providing all goes well,
I'll be appearing at the Christmas show too so make sure that you do to if
it is at all possible. Shows like this keep the ATARI range of computers
alive and kicking, you missed a lot if you missed this show so don't miss it
again!